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Journals, Responsibility and Telepathy

Saturn Ring Blues
The closest we can come to achieving telepathy is through reading what someone else wrote.  Not only is it straight out of their mind, like their speaking is, but we can also reread it and be thoughtful about it, which we can't do with speech.

Also, the more writing we have from someone, the more the writing reveals the way their mind ticks.  That's a reason that I become a little nervous when one of my students or parents says that they are reading one of my short story collections.  They might find out more about how I think than they would be comfortable with!  After all, I can't write about a thing without thinking about the thing, and I think about a lot of things.  Not all of them are classroom safe.  I worry that a parent or school board member might read what I've written and then think, "This person shouldn't be working with kids."

Okay, I'm not all that worried, but I do think that some times.

Which brings me to kids' journals.  I require 1,000 words a week.  Even though I tell them that there is no teacher/student confidentiality implied with the journals, and that they shouldn't write anything in the journals they wouldn't want someone else to read, like confessions of felonies or their plans to blow up the school, they still do.  Inside of a month, many of them use the pages to write about their most personal thoughts.  I find out about college plans, relationships with parents, ideas on politics, their crushes and hates, and whatever else crosses their minds while they're pounding out 1,000 words.

I read stuff that makes me feel like I'm reading privileged information; I read stuff that throws me violently into the TMI world; I read stuff that makes me laugh, and I read stuff that scares me.

An exercise that I've done with kids who think they don't write well, is to go through their journals with a highlighter to make a "found" poem.  What I'm looking for are interestingly worded utterances that seem related to each other.   Sitting with the student, I'll go through the journal, asking the student to highlight the cool sentences.  I'll highlight some too.  Then we take the sentences and, without changing any of the words, rewrite them as a poem.  We'll discuss line breaks.  When we're done, we inevitably have something that is interesting, blows the student away, and it is ALL their own writing.

Writing in the journals isn't just about writing, however.  It's also, or maybe even mostly, about the person.

Last year I read a journal where a student described in detail his involvement in breaking into a local sporting goods store.  It turned out he'd been arrested for it and was now on probation, but at the time I was afraid I had just discovered a confession to a crime.

I read a journal once where the student wrote at length about how attractive he thought the ideas behind Blue Oyster Cult's "Don't Fear the Reaper" were.  I talked to the counselors about him.

Once I had a student who was both very religious and moral (and vocal about it), but she dressed like Brittany Spears on one of her sleazier days.  There was some dissonance between her speech and her appearance.  She wrote a long journal entry about a dream she had of riding a horse bareback, up and down the hills.  And up and down.  And up and down.  I quit reading her journals.

Another student wrote at length about how much he hated his father and what a horrible person his dad was.  His dad found the journal after several months of entries and read it.  Ouch.

I've read journals from kids who are sleeping with their boyfriends or girlfriends.  I agonize over whether the parents know or not.  I'm certainly conflicted about writing "Okay" at the end of the entry, which I normally write if the entries are long enough.

Most of the time, though, reading the journals is just interesting.  What a great exercise for young writers, to write a lot, and what an opportunity for me as a writer to do some mind reading.  Hopefully the reading makes me a better story teller.  Hopefully it reveals to me more about the human experience than I would have if I wasn't a teacher.

Comments

( 8 comments — Leave a comment )
[info]gardenwaltz wrote:
Nov. 12th, 2010 05:37 pm (UTC)
This sounds like a great exercise, but I don't envy you the fine line that you have to walk. As an example, I find "Don't Fear the Reaper" to be an incredibly reassuring song, but I can see where it could cause worry in an angsty teen within the context of the rest of the journal. Then again, I was an angsty teen and I wish I'd heard the song earlier.

On your central issue, I know a teacher in our local writing group who does a lot of reporting. He has said there are a lot of stories he won't touch because he does not want any parents to take things the wrong way.
[info]jimvanpelt wrote:
Nov. 12th, 2010 05:39 pm (UTC)
I know a famous, award winning, science fiction writer who writes under a pseudonym because she is an elementary school teacher. She's afraid her adult-themed stories will get her in trouble.
[info]barbarienne wrote:
Nov. 12th, 2010 08:39 pm (UTC)
Didn't every high school student obsess a little about DFtR? Granted, I was in high school when the song was relatively new, so it might not be so for today's kids, but geez, if liking that song meant one was suicidal, it's a wonder anyone currently between the age of 35 and 45 is alive.
[info]jimvanpelt wrote:
Nov. 12th, 2010 09:36 pm (UTC)
DFtR came out in 1976, so some of its impact is lost on today's crowd (lots of kids like classic rock & roll, though--it's what their parents listen to at home). The boy I was talking about sounded like he was using the song as a justification to hurt himself, like he was working his way up to it. I was glad I talked to someone about him. He truly did need some intervention.
[info]julia_reynolds wrote:
Nov. 12th, 2010 08:16 pm (UTC)
This is also great writerly intelligence gathering
what a great way to connect with a YA reading audience, to literally plug in to their hopes, fears, and interests.

But where do you draw the line? Do you have some rule for yourself about when a journal entry triggers an intervention?
[info]jimvanpelt wrote:
Nov. 12th, 2010 09:33 pm (UTC)
Re: This is also great writerly intelligence gathering
"Where do you draw the line" is the whole problem. Sometimes I get absolutely paranoid about the connection between what the kids are writing and what they are doing.

For example, if a sophomore boy writes in his journal about being sexually active, and I don't do say anything to anyone, and six months later his 9th-grade girlfriend is pregnant, wouldn't the parents of both kids be reasonably incensed if they find out that the boy's English teacher knew months earlier that the boy was engaging in risky behavior? I think so.

What's really scary is that I don't even read the journals completely. I might get 90,000 words of handwritten journals on a Friday to grade for Monday. I'm just eyeballing the pages to be sure they've written 1,000 words.

I feel like I dodge a bullet every week.
[info]barbarienne wrote:
Nov. 12th, 2010 08:42 pm (UTC)
Re: the Britney Spears student--it's a good thing I wasn't drinking anything, or you would owe me a keyboard.

I'm sure it wasn't very funny to you at the time, and I completely understand why you would quit reading her journals. But I wonder if she wasn't having you on a bit? Watch the movie Sugar and Spice; there's a character who more or less fits this description, right down to the horse.
[info]jimvanpelt wrote:
Nov. 12th, 2010 09:29 pm (UTC)
That's a good theory, and it might be true, but I think she was genuinely, absolutely clueless that the dream might be her subconscious at work. She was conflicted, as they say.
( 8 comments — Leave a comment )

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